Brandon Taylor
Ashgate
Hardback
254
2006
Some essays are concerned with how women?»s involvement in the arts allowed them to fashion identities for themselves (whether national, political, religious, intellectual, artistic, or gender-based) and how such self-fashioning in turn enabled them to negotiate or intervene in the public domains of culture and politics where ?«The Woman Question?» was so hotly debated. Artists and patrons discussed include: Carriera, Queen Lovisa Ulrike and Chardin, the Bourbon Princesses Mlle Clermont, Mme Ad?la?de and Nattier, the Duchess of Osuna and Goya, Mme de Pompadour, Marie-Antoinette and Vig?e-Lebrun, Labille-Guiard, Queen Carolina of Naples, Prince Stanislaus Poniatowski of Poland and Kauffman, David and his students, Mesdames Benoist, Lavoisier and Mongez.
Ashgate
Hardback
254
2006
Some essays are concerned with how women?»s involvement in the arts allowed them to fashion identities for themselves (whether national, political, religious, intellectual, artistic, or gender-based) and how such self-fashioning in turn enabled them to negotiate or intervene in the public domains of culture and politics where ?«The Woman Question?» was so hotly debated. Artists and patrons discussed include: Carriera, Queen Lovisa Ulrike and Chardin, the Bourbon Princesses Mlle Clermont, Mme Ad?la?de and Nattier, the Duchess of Osuna and Goya, Mme de Pompadour, Marie-Antoinette and Vig?e-Lebrun, Labille-Guiard, Queen Carolina of Naples, Prince Stanislaus Poniatowski of Poland and Kauffman, David and his students, Mesdames Benoist, Lavoisier and Mongez.