Margaret Garlake
Ashgate
Hardback
218
2001
Turner as Draughtsman looks at the artist?»s practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner?»s work which has hitherto received very little attention. Andrew Wilton shows that, while Turner?»s art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results.
Ashgate
Hardback
218
2001
Turner as Draughtsman looks at the artist?»s practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner?»s work which has hitherto received very little attention. Andrew Wilton shows that, while Turner?»s art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results.