Michaela Giebelhausen
Ashgate
Hardback
270
2006
In this case study of une femme inadapt?e and an unfit feminist, Elizabeth Kahn re-situates Laurencin in the on-going feminist debates that enrich the disciplines of art history, women?»s studies and literary criticism. Incorporating feminist theory and building on the work of contemporary feminist art historians, she avoids the heroics of conventional biography, instead allowing her subject to participate in the historical collective of women?»s work.