Tricia Cusack and S?ghle Bhreathnach-Lynch
Ashgate
Hardback
180
2003
Color has often been regarded as the final dressing of a building, subject to the vagaries of fashion and left to the client to select. There have been a number of studies of polychromy in the architecture of the more distant past, particularly in relation to modern conservation practices, but there is little or nothing on the architectural color of recent times, and especially within Modernism. This pioneering book is a thorough survey of the history and genesis of the most crucial questions concerning the role of architectural color from the nineteenth century to the present day.
Ashgate
Hardback
180
2003
Color has often been regarded as the final dressing of a building, subject to the vagaries of fashion and left to the client to select. There have been a number of studies of polychromy in the architecture of the more distant past, particularly in relation to modern conservation practices, but there is little or nothing on the architectural color of recent times, and especially within Modernism. This pioneering book is a thorough survey of the history and genesis of the most crucial questions concerning the role of architectural color from the nineteenth century to the present day.