Vincent Boele, Yuri Piatnitsky and Vera Zalesskaya
Ashgate
Hardback
128
2006
Focusing on the reception of printed reproductions during the sixteenth century, this study identifies prints as indicators of how Michelangelo?»s works became known, discussed, and integrated into art history. The volume includes a comprehensive checklist organized by the work reproduced. This checklist is preceded by a short analysis of the number of prints produced by each printmaker, the chronological sequence of the prints, the publishers, and privileges associated with the prints.
Ashgate
Hardback
128
2006
Focusing on the reception of printed reproductions during the sixteenth century, this study identifies prints as indicators of how Michelangelo?»s works became known, discussed, and integrated into art history. The volume includes a comprehensive checklist organized by the work reproduced. This checklist is preceded by a short analysis of the number of prints produced by each printmaker, the chronological sequence of the prints, the publishers, and privileges associated with the prints.