Gillian Whiteley
Lund Humphries
Hardback
160
1998
This book is the first monograph on George Fullard (1923?73) one of the most inventive post-war sculptors and the first complete survey of Fullard s sculpture exploring the themes techniques and critical context of his works. The author explores the critical reception and cultural context of a diverse body of work. This ranges from the modelled figures made in the Cold War period and the idiosyncratic and unusual war assemblages of the 1960s through to the late enigmatic sculptures concerned with the sea.
Lund Humphries
Hardback
160
1998
This book is the first monograph on George Fullard (1923?73) one of the most inventive post-war sculptors and the first complete survey of Fullard s sculpture exploring the themes techniques and critical context of his works. The author explores the critical reception and cultural context of a diverse body of work. This ranges from the modelled figures made in the Cold War period and the idiosyncratic and unusual war assemblages of the 1960s through to the late enigmatic sculptures concerned with the sea.