Gregory Barnett
Ashgate
Hardback
414
2008
This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of ?«opera?» in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways. Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the various intersections associated with opera.
Ashgate
Hardback
414
2008
This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of ?«opera?» in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways. Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the various intersections associated with opera.