Ian Pace
Ashgate
Hardback
235

One of the most remarkable tales of recent resurrections in the field of early keyboard music concerns the music of Heinrich Scheidemann (c. 1595-1663). Pieter Dirksen considers the transmission of Scheidemann?»s music as a whole and the repertoire itself . The book will appeal to organologists, harpsichordists, musicologists and historians of seventeenth-century German music as well as historians of keyboard music.