Meg Twycross and Sarah Carpenter
Ashgate
Hardback
428
2002
Masks and Masking in Medieval and Early Tudor England presents a broad overview of masking practices demonstrating how active and prominent an element of medieval and pre-modern culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods but is also useful for historians of culture theatre and anthropology. Through its analysis of masked play this study engages both with the history of theatre and performance and with broader cultural and historical questions of social organization identity and the self the performance of power and shifting spiritual understanding.
Ashgate
Hardback
428
2002
Masks and Masking in Medieval and Early Tudor England presents a broad overview of masking practices demonstrating how active and prominent an element of medieval and pre-modern culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods but is also useful for historians of culture theatre and anthropology. Through its analysis of masked play this study engages both with the history of theatre and performance and with broader cultural and historical questions of social organization identity and the self the performance of power and shifting spiritual understanding.