David Bell and Joanne Hollows
Ashgate
Hardback
188
2006
In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.
Ashgate
Hardback
188
2006
In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.